Celadon by Estee Lauder c1978

 In 1978, the perfume industry was undergoing a transformative period. The 1970s were characterized by a return to more classic, sophisticated scents as the bold, experimental fragrances of the 1960s began to wane. This era saw a growing interest in elegance and refinement, with an emphasis on traditional perfumery techniques and ingredients. Fragrances were becoming more complex and nuanced, reflecting the broader cultural shift towards a more polished and glamorous lifestyle.

During this time, there was a resurgence of interest in floral and chypre fragrances, with a particular focus on blending classic elements with modern sophistication. Estee Lauder's introduction of "Celadon" in 1978 can be seen as a response to this trend. It sought to capture the essence of both timeless elegance and contemporary chic, aligning with the prevailing market demands for refined, yet distinctive, scents.

The name "Celadon" is deeply evocative and rooted in cultural and aesthetic significance. Celadon refers to a type of glaze used in East Asian ceramics, particularly in China and Korea, known for its soft green color. This term has come to represent a subtle, sophisticated shade of green, often associated with tranquility and refinement. By choosing this name, Estee Lauder was likely aiming to convey a sense of elegance and calmness, reflecting the sophisticated nature of the fragrance.

The word "Celadon" evokes images of delicate porcelain and serene landscapes. It suggests a sense of timeless beauty and understated luxury, making it a fitting choice for a perfume intended to appeal to discerning women looking for something both classic and unique. The name implies a refined and gentle elegance, aligning with the fragrance's likely profile.

Women responding to "Celadon" would likely find it appealing for its refined and sophisticated character. The fragrance's name would evoke feelings of calm and serenity, as well as a sense of understated luxury. The association with celadon ceramics, which are often admired for their delicate and tranquil beauty, would suggest a fragrance that is both soothing and elegant.

In a time when perfumes were increasingly reflecting classic sophistication, "Celadon" would stand out for its blend of traditional elegance with a modern twist. Its appeal would be rooted in its ability to convey a sense of timeless beauty, making it a choice for women who appreciated both historical refinement and contemporary style.

Calyx by Prescriptives c1986

"Calyx" by Prescriptives, unveiled in 1986, represents a collaboration between two renowned perfumers: Sophia Grojsman and Karyn Khoury of Estee Lauder. Inspired by the vibrant green portion of a flower, known as the calyx, the fragrance captures the essence of freshness and renewal akin to the unfurling of a new blossom. With its invigorating and exhilarating aroma, Calyx celebrates the crisp, revitalizing energy of nature's awakening, making it a timeless favorite among fragrance enthusiasts seeking a burst of revitalization.

White Linen by Estee Lauder c1978

Launched in 1978, White Linen by Estée Lauder emerged during a period when the fragrance market was predominantly dominated by rich, opulent perfumes, characterized by intense floral, oriental, and chypre compositions. The late 1970s were a time when powerful, heady fragrances like Opium by Yves Saint Laurent (1977) and Chanel No. 19 (1970) were making waves. These fragrances were known for their complex, bold scents, often layered with spices, resins, and heavy florals, reflecting the era's fascination with grandeur and exoticism.

In this context, White Linen offered a distinct contrast. Created by the renowned perfumers at IFF, it was designed to be a breath of fresh air—a clean, elegant, and understated fragrance. Its composition was a departure from the prevailing trends of the time, focusing instead on a purity that evoked a sense of simplicity and refinement. The fragrance emphasized a crisp, clean scent profile that was both modern and timeless, featuring notes that conjured the idea of freshly laundered linens, with its emphasis on clean florals and subtle woody undertones.

The name "White Linen" was strategically chosen to reflect these qualities. "White" symbolizes purity, cleanliness, and simplicity, while "Linen" evokes an image of fresh, crisp fabric that has just been washed. Together, these words suggest a sense of effortless elegance and everyday luxury—a contrast to the more opulent and complex fragrances of the era. This name effectively communicated a vision of understated sophistication and modern freshness, appealing to women who desired a fragrance that was both refined and approachable.

The imagery associated with "White Linen" would likely evoke emotions of clarity and cleanliness. It might bring to mind serene, sunlit spaces filled with the scent of fresh air and newly laundered fabrics. The name suggests an effortless grace, embodying a sense of calm and understated beauty. Women responding to White Linen would have likely been drawn to its sophisticated simplicity—a fragrance that provided a refined yet subtle olfactory signature, perfect for everyday wear. It catered to those who appreciated a scent that was elegant without being overpowering, reflecting a modern, polished persona.

In summary, White Linen carved out a unique niche in the fragrance landscape of the late 1970s by presenting a clean, fresh alternative to the era's more extravagant perfumes. Its name and scent profile resonated with a desire for purity and understated elegance, appealing to women who sought a sophisticated yet uncomplicated fragrance experience.

The New Romantics:

In 1978, Estée Lauder's innovative approach to fragrance was embodied in the launch of The New Romantics Collection, a groundbreaking trio designed to reflect the layered fashion trends of the time. This collection, which included White Linen, Celadon, and Pavilion, was conceived with the intention of providing women with a versatile and personalized fragrance experience. The idea was to offer scents that could be worn individually for distinct olfactory profiles or layered together to create a multitude of unique fragrance combinations.

The concept behind The New Romantics Collection was inspired by the layered fashion trends of the late 1970s, where clothing often featured multiple textures and colors combined to create a single, cohesive look. Estée Lauder mirrored this fashion trend in her fragrances, allowing each perfume to be a standalone experience while also blending harmoniously with the others. This layering capability meant that when worn together, the three fragrances could interact to produce 27 different olfactory permutations, offering women nearly endless possibilities to tailor their scent to their mood or occasion.

Estée Lauder's vision for this collection was to empower women with the freedom to experiment and express themselves through fragrance. In her own words, "Fragrance is an extension of the women who wears it, a reaching out to those around her. My new three fragrances are meant to be enjoyed with new freedom. I created them to work together through their floral notes... The ingredients are natural so that one complements the other. A woman will never mix them quite the same way. She will enjoy each one separately, but she will have almost endless possibilities to express her own creations, too."

Each fragrance in The New Romantics Collection was crafted with natural ingredients that were chosen to harmonize with one another, ensuring that the overall sensory experience was both cohesive and versatile. White Linen brought a crisp, clean aroma, Celadon offered a fresh, green floral scent, and Pavilion provided a richer, more complex floral note. Together, these scents created a sophisticated olfactory palette that could be mixed and matched according to personal preference.

This innovative approach allowed women to explore their individuality and creativity through fragrance, aligning with the broader cultural shifts of the time that emphasized personal expression and freedom. By providing a structured yet flexible framework for fragrance layering, Estée Lauder not only offered a novel way to experience perfume but also resonated deeply with the evolving attitudes toward personal style and identity.

In 1978, White Linen emerged as a hallmark of crisp, spring-like freshness. Its scent was designed to evoke the purity and vitality of a new season, capturing the essence of clean linens fresh from the wash and the invigorating spirit of spring. This fragrance featured a delicate yet vibrant composition that emphasized clarity and simplicity, making it ideal for those who sought a light, refreshing scent that resonated with the natural elegance of springtime.

In contrast, Celadon was characterized as a "light mixture of a flower garden," blending the floral richness of a lush garden with a touch of verdant greenery. Its composition was a harmonious fusion of jonquils and ylang ylang, complemented by a mix of fruity and green notes that added depth and vibrancy to the fragrance. The result was a scent that evoked the delicate beauty of a blooming garden, capturing both the sweetness of flowers and the freshness of green foliage.

Pavilion offered a more exotic and complex olfactory experience, described as a "sensuous sophisticated formulation." It featured a rich bouquet of tuberose, narcissus, and jasmine, which were intertwined with earthy patchouli and warm spices. Mossy tones provided an additional layer of depth, creating a fragrance that was both luxurious and intriguing. This scent was crafted to embody sophistication and sensuality, appealing to those who desired a more opulent and enveloping fragrance experience.

Estée Lauder emphasized the connection between fragrance and personal lifestyle, noting that "Fragrance is not separate from living. Women have more varied lifestyles than ever before. They are more independent and more confident. They are showing more creativity. Now they can be as individual with fragrance as they are with their wardrobes." This perspective highlighted the evolving role of fragrance in a woman’s life, reflecting her independence and creativity. With The New Romantics Collection, Lauder provided women with the tools to express their unique identities through scent, allowing them to curate their olfactory experiences just as they did their wardrobes. This approach celebrated the diverse and dynamic nature of modern life, offering a range of fragrances that could adapt to and enhance each woman's individual style.

Layering The New Romantics:

Estée Lauder provided a range of creative tips for wearing her The New Romantics Collection fragrances, emphasizing the versatility and personal expression offered by her innovative layering concept. Her advice was intended to help women maximize the impact and enjoyment of each scent, enhancing the overall olfactory experience.

One of her suggestions was to wear the fragrances side by side, allowing each scent to bloom independently. This approach mirrors the way quadraphonic sound creates a rich, immersive auditory experience, with each fragrance contributing its unique notes to a harmonious whole. By applying the perfumes in this manner, the individual characteristics of each scent would be appreciated, while their combined effect would create a multifaceted and dynamic fragrance experience.

Lauder also recommended layering vertically, using White Linen on the neck and shoulders to highlight its crisp, spring-like freshness, Celadon on the arms to add a floral and green complexity, and Pavilion on the back of the knees for a deeper, more sensual touch. This method allowed the more robust scents to rise and mingle with the lighter notes, creating a balanced and evolving fragrance profile that interacted with the body’s natural warmth and movement.

For a more adaptive approach, Lauder suggested applying different fragrances throughout the day based on mood and activity. Starting the day with the invigorating freshness of White Linen would provide a crisp, clean start, while transitioning to Celadon in the afternoon would bring a refreshing, floral nuance. As evening approached, Pavilion could be applied to evoke a sophisticated, sensual aura. This method allowed women to tailor their scent to different parts of their day, enhancing their overall experience.

Another playful recommendation was to wear Celadon on one wrist, Pavilion on the other, and White Linen on the neck and shoulders. This technique created a dynamic interplay of scents as the wearer moved, with the fragrances drifting and blending across their body. This approach highlighted the collection's layering potential and added an element of personal interaction with the fragrances.

Lauder encouraged experimentation with quantities to achieve the desired effect. She suggested using one short spray of Celadon, two long sprays of Pavilion, and three short sprays of White Linen, or applying one fragrance all over and touching pulse points with others. This flexibility allowed women to customize their scent experience to match their preferences and the intensity they desired.

Finally, Lauder noted that wearing multiple fragrances helped maintain a fresh perception of the scents. When wearing only one fragrance for an extended period, one’s senses can become accustomed to it, diminishing its impact. By alternating between two or three fragrances, the nose remained attuned to the evolving notes, ensuring that the scent continued to be perceived as novel and engaging. This approach also meant that those around the wearer would remain pleasantly aware of the fragrance’s complexity and allure.

Prices for The New Romantics:

In 1980, the retail prices for The New Romantics Collection reflected a tiered pricing strategy based on both the fragrance and the size of the bottle. For the smaller 0.5 oz parfum sprays, White Linen was priced at $8.50, making it the most expensive of the trio. This price premium likely reflected its growing popularity and perceived value. Pavilion followed closely at $8.00, while Celadon was priced at $7.50, positioning it as the most affordable option in the smaller size.

When considering the larger 1.75 oz parfum sprays, White Linen remained the priciest at $20.00, reinforcing its status as the collection's flagship fragrance. Pavilion was priced at $17.50, and Celadon at $15.00, showing a consistent pricing hierarchy that mirrored the smaller sizes. The differences in pricing across the perfumes could have been influenced by factors such as production costs, perceived market demand, and the individual appeal of each fragrance.

By 1994, the prices for the 0.5 oz parfum sprays had decreased slightly, reflecting a shift in the market or a strategic adjustment by Estée Lauder. White Linen remained at $8.50, unchanged from its 1980 price. Pavilion saw a reduction to $7.50, and Celadon dropped to $6.50. The price adjustments for Pavilion and Celadon indicated a continued effort to remain competitive and accessible, possibly due to their diminished popularity compared to White Linen. These price changes highlighted the evolving dynamics within the fragrance market and the impact of consumer preferences on pricing strategies.

Popularity of White Linen:

Estée Lauder's The New Romantics Collection was initially envisioned as an adventurous exploration of fragrance layering, reflecting the trend of combining multiple scents to create a unique, personalized olfactory experience. White Linen, Celadon, and Pavilion were each crafted to interact harmoniously, allowing women to experiment with different combinations and express their individuality through scent. However, despite the innovative concept, White Linen quickly emerged as the standout success of the line, eclipsing its companions and becoming the focal point of the collection.

As White Linen gained popularity, it became clear that it was the true winner among the trio. The fragrance resonated strongly with consumers, leading Estée Lauder to pivot its focus solely toward this successful product. By 1985, the two other fragrances, Celadon and Pavilion, were described as "moribund" in comparison, indicating they were struggling to maintain relevance and appeal in the marketplace.

In 1986, Bob Barnes, then president of Estée Lauder USA, acknowledged a concern that White Linen was being perceived as a summer fragrance, potentially limiting its appeal throughout the year. To counter this perception and reinforce its versatility, the company adopted a new tagline: "White Linen, a crisp, refreshing fragrance from Estée Lauder to live in all summer long, all year long." This strategic move aimed to broaden the fragrance's appeal, emphasizing its suitability for any season.

Ultimately, White Linen proved to be the enduring success of The New Romantics Collection, while Celadon and Pavilion were discontinued around 1994. The preference for a single, distinct fragrance over a layering system may have contributed to this outcome. Women may have favored the simplicity of a singular, well-defined scent rather than the complexity of combining multiple perfumes. White Linen's ability to capture and maintain consumer interest ensured its lasting presence, while the concept of layering multiple fragrances, despite its initial allure, did not resonate as strongly in the long term.

 

Fragrance Composition:

So what does it smell like? White Linen is classified as an aldehydic floral fragrance for women. It begins with a aldehydic, fresh flowery top, followed by a radiant floral heart, resting on a sensual, spicy, woody base. 

"Top notes sparkle with a fresh floral aldehyde composition recalling the crisp air of springs first scents - lavender, Bulgarian rose, Moroccan roses, jasmine, orange blossom, lily of the valley and violet blending with pimento berry, orris and the clean, sweet sharpness of orange. Background warms the vetiver, moss, incense and amber."

• Top notes: aldehydes, peach, citrus oils, flower calyx note, honeysuckle, orange
• Middle notes: lavender, hyacinth, orange blossom, Bulgarian rose, gardenia, lily of the valley, lilac, orchid, Grasse jasmine, Moroccan rose, Nossi-Be ylang ylang, iris, pimento berry, violet
• Base notes: Haitian vetiver, musk, incense, oakmoss, cedar, amber, Ceylon sandalwood, civet, honey, Thailand benzoin, tonka bean

Scent Profile:

Imagine opening the bottle of White Linen, and you're immediately greeted by a rush of crisp, airy aldehydes. They sparkle with a fresh, almost effervescent quality, evoking the sensation of spring’s first breath. The aldehydes merge seamlessly with a peachy top note that offers a juicy, succulent sweetness. Citrus oils add a bright, zesty edge, invigorating the senses with a burst of tangy freshness. A delicate flower calyx note introduces a subtle floral touch, soft and ethereal, while the honeysuckle brings a sweet, honeyed richness. The orange note here adds a further layer of tangy brightness, blending effortlessly with the other top notes.

As the fragrance settles, the middle notes reveal a beautifully radiant floral bouquet. Lavender’s soothing, herbaceous quality intertwines with the rich, velvety essence of Bulgarian rose and the deep, exotic aroma of Moroccan rose. Hyacinth and orange blossom contribute a lush, intoxicating sweetness, while gardenia adds a creamy, tropical depth. The lily of the valley imparts a fresh, green, dewy note, and lilac offers a soft, powdery nuance. Orchid’s exotic, floral scent blends harmoniously with Grasse jasmine's warm, sensual quality, creating a complex and elegant floral heart. Nossi-Be ylang ylang adds a hint of opulence with its rich, sweet, and slightly fruity aroma, while iris introduces a subtle, velvety earthiness. The pimento berry adds a spicy kick, and violet imparts a delicate, powdery sweetness.

In the base notes, the fragrance deepens into a warm, sensual foundation. Haitian vetiver offers a smoky, earthy richness that grounds the composition, while musk adds a soft, animalic warmth. Incense provides a subtle, spiritual smokiness, enhancing the fragrance’s depth. Oakmoss introduces a rugged, woody-green note, and cedar adds a dry, aromatic woodiness. Amber lends a golden, resinous warmth, and Ceylon sandalwood contributes a creamy, exotic richness. Civet adds a slightly animalic, yet pleasantly musky depth, while honey offers a sweet, warm nuance. Thailand benzoin and tonka bean bring a rich, balsamic sweetness, rounding out the fragrance with a comforting, resinous finish.

Bottles:

White Linen, a signature fragrance from Estée Lauder, was elegantly housed in a bottle designed by the renowned Pierre Dinand. Dinand’s design became iconic for its clean, sophisticated lines, which reflected the crisp and fresh character of the fragrance itself. Over the years, this bottle style remained largely unchanged, maintaining its classic silhouette with minimal modifications. The consistent design underscored the fragrance’s timeless appeal and the enduring quality associated with the Estée Lauder brand.

The standard White Linen bottles were available in various sizes to cater to different preferences. These included a 0.25 oz parfum, a 0.50 oz parfum, a 1 oz parfum, and a 0.25 oz signature parfum spray. This range allowed consumers to choose the size that best fit their needs, whether for daily wear or special occasions.

In 1983, Estée Lauder introduced a special limited edition bottle called the Frosted Shell for the Christmas season. This limited edition bottle was a frosted glass creation shaped like a delicate shell, capturing the wintery essence of the holiday season. It featured a gold-tone cap adorned with a silken tassel, adding a touch of festive elegance. The Frosted Shell bottle held 0.25 oz of pure parfum and was originally priced at $40, reflecting its exclusivity and seasonal appeal. This special edition exemplified Estée Lauder’s commitment to offering unique and luxurious packaging options that complemented the fragrance’s refined character.

Fate of the Fragrance:

White Linen has been continuously made since 1978. Although, changes have been made. As of 2024, White Linen continues to be available on Estée Lauder's website, but this version represents a departure from its original formulation. The modern incarnation of White Linen has been carefully reformulated to align with contemporary preferences and to adhere to the latest International Fragrance Association (IFRA) guidelines, which impose restrictions on certain ingredients for safety and environmental reasons.

Fragrance Composition:

It is classified as fresh floral fragrance for women.

• Top notes: Bulgarian rose, jasmine, lily of the valley
• Middle notes: violet, orris
• Base notes: vetiver, moss, amber

Differing Scent Profiles:

The transition from the original 1978 formula of Estee Lauder's White Linen to its current reformulated version represents a significant shift in both complexity and style, reflecting changes in consumer preferences and ingredient regulations over time.

The reformulated version of White Linen, classified as a fresh floral fragrance, has undergone a substantial simplification of its original structure. The top notes now feature Bulgarian rose, jasmine, and lily of the valley. This new opening retains the floral essence of the original but without the distinctive aldehydic sparkle and the complexity of citrus and peach. The focus is on a more straightforward, refined floral bouquet that emphasizes the elegance of rose and jasmine, with lily of the valley adding a fresh, green quality.

In the middle notes, the reformulated version includes violet and orris. The absence of the broader range of floral components from the original heart, such as hyacinth, gardenia, and Moroccan rose, results in a more streamlined and less intricate floral profile. Violet introduces a soft, powdery sweetness, while orris adds a subtle, creamy powderiness that provides a touch of elegance and depth.

The base notes of the current formula are simplified to vetiver, moss, and amber. This adjustment eliminates many of the original base notes, including musk, incense, oakmoss, cedar, civet, honey, benzoin, and tonka bean. The result is a cleaner, less complex base that retains the earthy and warm qualities of vetiver and amber, with moss providing a touch of freshness and natural depth. This simplified base aims for a modern, more accessible finish, aligning with contemporary preferences for cleaner and less intense fragrances.

Overall, the current formula of White Linen reflects a shift towards a fresher and more streamlined floral profile, with a focus on key floral notes and a simplified base. This contrasts with the original 1978 version's rich and complex aldehydic floral composition, which was notable for its depth and intricate layering of ingredients.

 

Estee Super by Estee Lauder c1968

Launched in 1968, Estee by Estee Lauder represented a significant milestone in the evolution of the brand's fragrance portfolio. This release was not only a major event because it marked the first new fragrance from the renowned beauty mogul since the introduction of Youth Dew, but it also reflected Lauder's confidence in her creation. With seventeen years passing since Youth Dew's debut, Estee Lauder's decision to introduce Estee was a testament to her commitment to innovation and excellence in the fragrance industry.

The name "Estee Super" was a bold statement, emphasizing the perfume's superior quality and longevity. Estee Lauder described it as a "super fragrance," and the full names on the bottles—Estee's Super Perfume and Estee's Super Cologne—underscored its status as a flagship product. Lauder's claim that the fragrance would last at least 24 hours, three times longer than other perfumes on the market, was a reflection of its concentrated formula, which contained three times more essential oils than typical fragrances. This remarkable concentration was a result of seven years of meticulous development, highlighting Lauder's dedication to creating a scent that not only lasted but also made a lasting impression.

Estee by Estee Lauder was designed to captivate and enthrall, embodying the brand's high standards and Lauder's personal assurance that it was a fragrance worth wearing. The emphasis on extended wear and potent concentration demonstrated Lauder's intention to create a perfume that would not only impress but also endure, solidifying its place as a classic in the world of high-end fragrances.

Private Collection by Estee Lauder c1973

 

Launched in 1978, Private Collection by Estée Lauder arrived at a time when the perfume market was dominated by bold, opulent fragrances that often featured heavy, exotic notes. The 1970s were marked by a fascination with rich, complex compositions that highlighted deep florals, spicy elements, and luxurious woods. Fragrances such as Chanel No. 19 and Yves Saint Laurent’s Opium were popular, reflecting an era of both sophistication and flamboyance.

In this context, Private Collection offered a refreshing alternative. Created by Vincent Marcello, it was designed to embody a unique elegance that set it apart from the prevailing trends. With its blend of honeysuckle, jasmine, and citrus in the top notes, it provided a vibrant and lush opening. The heart of orange flower, ylang-ylang, and coriander delivered a refined, exotic floral composition, while the base notes of sandalwood and patchouli grounded it with a subtle, woody depth. This combination was sophisticated yet accessible, combining the fresh floral elements of the time with a nuanced, understated richness.

The name "Private Collection" held significant meaning. Originally crafted as a custom perfume exclusively for Estée Lauder's personal use, it was a reflection of her own refined taste. When asked about her fragrance, she would simply say it was from her "private collection," adding an air of exclusivity and personal touch. The name evoked an image of exclusivity and bespoke luxury, suggesting that this fragrance was not just a product but a personal treasure—a unique scent not widely available and imbued with personal significance.

The term "Private Collection" conjured feelings of intimacy and sophistication. It implied that the fragrance was something rare and precious, reserved for those who sought a distinctive, personalized touch in their scent. This exclusivity was alluring to women who desired a fragrance that conveyed both individuality and elegance, making them feel special and connected to a refined, elite world.

Women responded to Private Collection with appreciation for its balanced elegance and sophistication. It offered a refined floral scent that was both timeless and contemporary, allowing them to experience a touch of luxury and exclusivity. The perfume's unique blend set it apart from other market offerings of the time, making it a memorable choice for those who valued both the artistry and exclusivity of their fragrance.

"All you need is one beautiful drop to know why Estee Lauder was keeping Private Collection fragrance for herself."

Azuree by Estee Lauder c1969

Launched in 1969, Estée Lauder's "Azuree" emerged during a vibrant era for perfume, marked by a blend of traditional and avant-garde influences. The late 1960s was a time of significant transformation in the fragrance industry. Perfumes from this period often embraced bold and unconventional notes, reflecting the cultural shifts of the time. The market was increasingly open to experimenting with new scent profiles, blending classic elements with modern innovations.

"Azuree" by Estée Lauder, created by perfumer Bernard Chant, stands out as a distinctive floral chypre fragrance. The chypre genre, characterized by its blend of citrus top notes, a rich floral heart, and a base of mossy, woody accords, was well-established by the 1960s. However, "Azuree" differentiated itself through its sophisticated interpretation of this classic style. Its floral bouquet, combined with its chypre foundation, offered a fresh and elegant twist that resonated with the evolving tastes of the era.

The name "Azuree" was likely chosen to evoke imagery of the sky and sea, reflecting a sense of openness and tranquility. The word "azure" comes from the French term for a deep blue color, which itself is derived from the Persian word "lazhward," meaning "lapis lazuli"—a semi-precious stone valued for its vibrant blue hue. By adopting the name "Azuree," Estée Lauder tapped into the serene and expansive connotations associated with the color, suggesting a fragrance that was both elegant and enveloping, capturing the essence of a clear, expansive sky.

In summary, "Azuree" was part of a broader trend towards more daring and sophisticated fragrances in the late 1960s. It aligned with contemporary trends while adding its own unique twist, making it a memorable addition to Estée Lauder's fragrance portfolio.

Origins

Origins is a well-known cosmetics brand hailing from the United States, founded in 1990 by Leonard Lauder, the son of Estee Lauder, a pioneer in the beauty industry. With a commitment to creating environmentally friendly and natural products, Origins Natural Resources was established as a line that emphasizes the use of botanical-based ingredients. The brand's ethos centers around the belief that nature provides the most potent solutions for skincare, makeup, and overall wellness.

The product range from Origins includes skincare items, minimalist makeup, and sensory therapy products, all designed to cater to the needs of modern consumers seeking natural and effective beauty solutions. Origins has always been committed to ethical practices; the brand does not test its products on animals, a stance that aligns with growing consumer awareness and demand for cruelty-free beauty products. Furthermore, Origins takes pride in its formulation practices, avoiding the use of animal-derived ingredients, even in tools like brushes. This commitment to cruelty-free and vegan-friendly principles highlights the brand's dedication to sustainability and ethical responsibility in the beauty industry.

Overall, Origins has carved a niche for itself by combining high-quality, natural ingredients with a strong ethical stance. Its commitment to environmental sustainability and animal welfare, coupled with the effectiveness of its products, has earned Origins a loyal following among consumers who value both beauty and ethical considerations.

Knowing by Estee Lauder c1988

The choice of the name "Knowing" for the Estee Lauder fragrance launched in 1988 is a deliberate and evocative one, crafted to convey a sense of sophistication, confidence, and self-assurance. The name itself suggests a deep, intrinsic understanding and awareness—qualities that are often associated with maturity, experience, and a certain worldly wisdom. By choosing "Knowing" as the name, Estee Lauder aimed to appeal to a woman who is not just aware of herself and her desires but is also assertive and confident in expressing them. This is a woman who understands her own worth, who has a keen sense of the world around her, and who makes choices with deliberation and clarity.

The word "Knowing" evokes a range of images and emotions. It conjures up a vision of a woman who is poised and composed, who carries herself with an air of quiet confidence and elegance. This is not a woman who is easily swayed by trends or external opinions; instead, she has a strong sense of her own style and identity. The name implies an individual who is insightful, perceptive, and wise—someone who has learned from her experiences and uses that knowledge to navigate her world with grace and certainty. There's an element of mystery and allure in the word "Knowing," suggesting a depth of character and a rich inner life that may not be immediately apparent but is undeniably compelling.

The fragrance "Knowing" was created by the renowned perfumers Jean Kerléo and Elie Roger (Firmenich), which underscores the expertise and artistry behind its formulation. Estee Lauder's description of the fragrance as "a fragrance for the 21st century" speaks to its timeless appeal and modern sensibility. It is designed for a woman who is forward-thinking and progressive, yet deeply rooted in her values and principles.

The marketing campaign for "Knowing" was a pivotal moment for Estee Lauder, aiming to revitalize and modernize the brand's image. The choice of Paulina Porizkova, a stunning and accomplished model who transitioned from her role as a spokesperson for Revlon to Estee Lauder, was significant. Porizkova embodied the qualities of the "Knowing" woman—sexy, confident, and sophisticated. The advertisements portrayed her in a manner that was both elegant and alluring, capturing the essence of the fragrance and the type of woman it was designed for.

Overall, the name "Knowing" and its accompanying campaign reflect a strategic and thoughtful approach by Estee Lauder to position the fragrance as an emblem of modern femininity—an expression of self-assuredness, sophistication, and timeless elegance. It is a celebration of the woman who knows herself, knows what she wants, and moves through the world with confidence and grace.

Youth Dew by Estee Lauder c1953

In 1953, Estée Lauder's "Youth Dew" entered a fragrance market traditionally dominated by French perfumes, known for their luxurious floral and aldehydic compositions, often reserved for special occasions. This era was marked by iconic scents like Chanel No. 5 and Guerlain's Shalimar, epitomizing elegance and sophistication. However, "Youth Dew," created by IFF perfumers Josephine Catapano and Ernest "Mr. Nose" Shiftan, brought something refreshingly different to the table. Unlike the prevailing trends, it was introduced as a bath oil that could also serve as a perfume, catering to a more everyday use.

During this period, American women generally did not wear fragrance every day. However, bath oils were a common part of their daily routines. Estée Lauder cleverly capitalized on this habit by introducing "Youth Dew" as both a bath oil and a perfume. This dual functionality made the product particularly appealing, as it could be seamlessly integrated into everyday life. By positioning "Youth Dew" as a versatile product suitable for daily use, not just special occasions, Lauder revolutionized the market. This strategy allowed women to indulge in luxury fragrance on their own terms, effectively democratizing perfume and making it accessible for everyday enjoyment.

The name "Youth Dew" was carefully chosen to evoke a sense of freshness, vitality, and rejuvenation—qualities synonymous with youth. The word "dew" conjures images of morning freshness and natural beauty, suggesting a fragrance that is both delicate and invigorating. For the women of the 1950s, "Youth Dew" resonated with a desire for renewal and the allure of maintaining a youthful essence, not just in appearance but in spirit.

The fragrance's introduction marked a significant shift in the perfume industry. By encouraging women to buy it for themselves, "Youth Dew" broke away from the traditional notion that perfume was a luxury item to be gifted. This approach resonated with the growing sense of independence and empowerment among women in the post-war era. The fragrance quickly became a symbol of self-pampering and personal luxury, a revolutionary concept at the time.

The imagery and emotions evoked by the name "Youth Dew" are those of freshness, rejuvenation, and an everlasting bloom. It evokes the picture of dewy mornings, vibrant flowers, and the optimism of a new day. This made "Youth Dew" not just a unique name for a perfume but also an emblematic product of its time, appealing to the evolving tastes and aspirations of women. By tapping into the daily rituals of women and presenting fragrance as an accessible luxury, "Youth Dew" paved the way for a new era in the fragrance industry, redefining how women interacted with scent.

Cinnabar by Estee Lauder c1978

 In 1978, the world was captivated by a fascination with the exotic and the mysterious, particularly as it related to Eastern cultures. This period saw a burgeoning interest in themes that evoked luxury, mystique, and the allure of distant lands, often referred to as "Oriental" in the context of art, fashion, and fragrance. The launch of Estee Lauder's Cinnabar came at a time when cultural depictions of the Orient were popular in various forms of media, including film. Movies like "The Man Who Would Be King" (1975) and "The Thief of Baghdad" (1978) indulged in romanticized portrayals of Eastern locales, contributing to a broader cultural trend that embraced the mystique and opulence of these settings.

Estee Lauder's choice of the name "Cinnabar" for her new fragrance was deeply symbolic and aligned with this cultural fascination. Cinnabar is a bright red mineral that has been historically used to produce the pigment vermilion, a color often associated with wealth, power, and the exotic in many Eastern cultures. The mineral itself, a form of mercury sulfide, has been used in traditional Chinese and Japanese art and decoration, symbolizing both beauty and danger due to its toxic properties. The name "Cinnabar" thus evoked a rich tapestry of associations: the luxurious allure of the Orient, the vibrant and potent nature of the pigment, and the sense of something rare and precious.

The choice of this name also connected to the perfume's sensory profile. Created by the talented perfumers Bernard Chant and Josephine Catapano, Cinnabar was designed to capture the exoticism and intensity of Oriental fragrances. It featured a rich blend of spices, florals, and amber, creating a warm, inviting, and somewhat mysterious scent. The perfume's composition was meant to evoke the opulent and complex aromas associated with Eastern markets and spices, much like the imagery of cinnabar as a rare and luxurious substance.

In the context of the late 1970s, Cinnabar fit seamlessly into a cultural moment that celebrated the exotic and the luxurious. The perfume capitalized on the public's fascination with Oriental aesthetics, offering a sensory escape to distant lands filled with spice, warmth, and intrigue. The decision to pivot from the planned Soft Youth Dew to Cinnabar demonstrated Estee Lauder's keen awareness of market trends and her ability to adapt quickly to changing consumer desires. By choosing the name "Cinnabar," Estee Lauder not only aligned her fragrance with the era's fascination with the Orient but also imbued it with a sense of mystery and allure that resonated deeply with the zeitgeist of the time.

Aramis by Estee Lauder c1964

Aramis was launched in 1964, a time when the world was undergoing significant cultural and social transformations. The 1960s were characterized by a growing sense of individualism, experimentation, and breaking away from traditional norms. This era saw the rise of new fashion trends, music genres, and artistic expressions. In the context of fragrances, the decade was marked by a shift towards more daring and distinctive scents, reflecting the changing attitudes and desires of society.

In film and popular culture, the 1960s saw an explosion of creativity and innovation. Movies such as "Goldfinger" (1964) and "Dr. Strangelove" (1964) captured the spirit of the times, blending sophistication with a sense of adventure and intrigue. These themes resonated with the public and influenced various aspects of lifestyle, including fashion and fragrances. The appeal of a sophisticated, well-groomed persona was embodied in these films, aligning with the type of man that the Aramis fragrance was designed for.

The name "Aramis" was inspired by one of the famous characters from Alexandre Dumas' novel "The Three Musketeers." Aramis, the character, is known for his sophistication, elegance, and charm, traits that Estee Lauder aimed to encapsulate in the fragrance. The choice of the name "Aramis" also evokes a sense of classic European culture, refinement, and timeless masculinity, perfectly aligning with the image Estee Lauder wanted to project for this fragrance.

The word "Aramis" itself doesn't have a specific meaning outside of the literary reference, but it has become synonymous with sophistication and a certain old-world charm due to its association with the Musketeer. The name suggests a fragrance that is strong, dependable, and possesses a quiet confidence, much like the character from the novel.